Reflections of gender roles in films

 Reflections of gender roles in films

   Men seem to always be in the movie leadership, more capable and culture, and women are always in a position to be protected, no male wisdom and calm, a lot of movie hero to the rescue of the screen. Think about it, no matter how strong the girls, the men's final are needed relief. In the movie, the most attractive than the beautiful people of it, we are seduced by the beauty, whether or sportsman beauties, have become movie buy the most important part. But most of the film and television work, women will always be "vase class" figure, a closer look at think about it, what the movie looks more women are ugly, while the men in the trade request is not very high. Most men grasp of social wealth, beautiful or not does not matter, while women are more concerned about the appearance. 

  "Like a man can not spit chewing tobacco can not be the same with men," remember this speech right, very familiar with the classic "Titanic", Rose told Jack to go to school in the deck spitting, discovered by her mother, was chatter. This also affects virtually our ideas, women should ensure that there are rules, but to no avail bohemian describe women. In the invisible effects movie, we find it difficult to accept the feminization of men. Under normal circumstances, the community is hate girly men, because men are usually set by society should be masculine. Worth thinking about is that in film and television works, to create image of women, in order to meet the needs of the community deliberate or unconscious behavior? 

 

We always pay attention to in life, but should be gradual, sometimes deliberately pursue equality of both sexes, but promotes inequality.

Gender And Power In Film

Gender And Power In Film

Women and girls are ignored, these films are 2.24 ratio of male and female roles: 1.30.9% of the speaking roles are women, the most frequent female role is China, Germany, South Korea and the UK Film, Korean film up women leaders person. Britain alone make a film comparing gender equality, but if in tune with the United States, more women would be excluded. Action adventure film role of women at least. 

Men have more power in the film, the characters in 10 percent of politicians are women, 5% of judges are women, 13.9 percent of business leaders are women, and no lawyer firm partner among women. All movies only one female ruler: "Frozen" the queen. Engaged in science, technology, engineering and mathematics related work roles, 88.4% were male, that male to female ratio was 7.6: 1. 

Compared with men, women are more likely to be personalized in the film, wearing sexy clothes, naked, showing slender three areas, the proportion of women and girls have reached double role of men and boys. 13-year-old and 39-year-old female roles are personalized proportion almost. Comments on the female characters in the movie appearance is the appearance of the comments on the male five times. 

In a total of 1452 people participated in filmmaking, 20.5 percent are women, but only 7% of directors are women. 19.5% of writers are women, 22.7% of producers are women. France, Japan, Russia, the United States and South Korea no female directors at this year's movies. England did the best in this regard, there are 27.3% and 58.8% of female directors female screenwriter.

Gender inequality in the movies

  Gender inequality in the movie

If women do the director or screenwriter, movie female characters will increase. The number of female directors female characters appear in the film 6.8% higher than the male director of the film, the number of female characters in the movie appearing female screenwriter 7.5 percent higher than men screenwriter of the film.

The study by the American College of Journalism and Communication, University of Southern California, completed Sept. 22, actor and social activist Gina Davis presented findings to the public. Gina Davis is a supporting actress Oscar winner, who starred in the feminist movie "Thelma Louis", is also a screenwriter, producer and archery athletes, "Gina Davis Media and Gender Institute," she created with the United Nations women's Department and the Rockefeller Foundation, along with support for the study. 

Scholars at the University of Southern California, has studied gender discrimination in American movies, they want to learn more about the global situation. The new study covering ten popular movies most profitable countries: Australia, Brazil, China, France, Germany, India, Japan, Russia, South Korea, the United Kingdom, they also analyzed the Anglo-American co-production film, and the United States as a comparison. All films are in between January 2010 to April 2013 screened.

The report noted that in these films, there is the role of the lines represents less than one-third of the women, they also showed fewer people are in power. In the film the show employment, only 22.5 percent are women, appears in the movie business leaders and political figures, as well as technology, engineering, mathematics-related practitioners, women less than 15%.

Constructed gender roles of women in movies

Constructed gender roles of women in movies-

Alice Doesn't Live Here Anymore 

      Alice Does not Live Here Anymore was taken in 1974, is in the height of the feminist movement a second time, although the director does not recognize that it is a female movie, but its fate for women's survival, the value of search, the role of conversion to sex Discussion and thinking mainly carried object is not consciously integrate feminist perspective, objectively expressed a concern for women of life and expression.

      A housewife struggling with a loss in daily life, and suddenly suffered a major turning point in life - her husband died in a car accident that he had to assume alone the responsibility of raising 12-year-old boy.

Sell ​​possessions, childhood trek to the city where, on the way to the bar to sing for a living. Thus, to childhood city became mother and son shared yearning, is their hope. They reach the first city on the way to a sad cry to get the opportunity to sing in a small bar, also haunted by a swindler had fled in panic. When they reached the second city, unable to obtain work as a singer, only to go to a restaurant as a waiter. Also in the restaurant, she gains his love - a farmer's love. After struggling, his son has a good friend here, Alice gave up the idea to his childhood city, real and farmers together.  Alice Does not Live Here Anymore shows heroine Alice's spiritual growth, personal self-difficult process to identify the cause of female growth, self-reliance tough ultimate cause - the male-centered consciousness, personality and improve the process by Alice explores the way women's issues.